Letraset Action Transfers

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You know when you see something and you’re instantly transferred to another time?

Yeah, that thing.

Rub down transfers (those of you who are young please bear with me) took many form over the years. Professional lettering, decals on models and the long-lost art of panorama rub down transfers. It sounds the most bonkers idea in the world but as kids we would get these sets of pre printed background onto which we would creatively apply transfers.

I know, mental.

All of our favourite characters were drafted into action: Captain Scarlet, Thunderbirds, Tarzan, Planet of the Apes, Space:1999 or Star Trek. Mundane commercial art-based backgrounds were provided on a fold out piece of card and it was our job to carefully apply transfers on to the background. This was fraught with difficulty of course. If you used a pencil that was too sharp it created an indent in the plastic that would result in a broken ape arm or a displaced phaser. Over time we cultivated rounded, blunt pencils that transferred the image flawlessly on to the backdrop careful not to ruin the gold dusted, magical transfer.

Brought up on comics, this gave me the freedom to imagine what it might be like to create our own stories. OK it was very limited, but we got a taste for it. Action Transfers (a Waddingtons games brand) was a birthday or Christmas staple, never the first thing to play with but always one for later, when the excitement had died down. It was odd that we could always tell they weren’t drawn by our favourite artists or even vaguely look like the characters we knew and loved but somehow it didn’t matter. The technology was rudimentary but we worked with it, there was nothing else to do.

Later when I trained as graphic designer, the technology of course had moved on and we were using transfers for high end typography using skills that have pretty much vanished.

Little did I know that as a fledgling designer I’d be using rub down skills honed under the bed covers, by torchlight, on a council estate in Leeds?

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pan2scarleti~

 

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RAF Museum

The RAF museum has a fantastic collection of aeroplanes from the very beginning of flight to the latest high-tech flying machines. It contains all the icons of flight—and everything in between. Here’s a snapshot from our recent flying visit (no pun intended, honest).

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The Lancaster bomber

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The second world war loomed large in our house growing up. Thinking about it, I was born just twenty years after the war finished and although my dad was too young to fight in it (he did national service in Libya) he was obsessed by all things military. In truth, I think most of the country was still a little bit obsessed by the war and its long shadows, still creating darkness twenty years on.

For me personally, this translated in to a deep fascination of the machinery of war. Writing that it does sound completely bonkers and obsessing over everything man created to help him kill his fellow-man does sound like the first stage of a seriously deranged personality. But we were all at it. Planes, tanks, ships, submarines, guns, uniforms—every aspect of the kit of war was minutely observed and collected. Scrapbooks, model kits, films, books, magazines. These days it would be bona fide OCD, but back then it was normal.

Every detail was scrutinised and oddly there were no residual difficulties collecting and studying our old enemies—in fact, the Germans and Japanese had more kudos, the passing years allowing more than a grudging respect for their superior kit and machinery. British gear was unglamorous and got the job done, reflecting our threadbare resources perhaps and of course American machinery was supremely glamorous and flashy.

But we did have our icons and one of those was the Avro Lancaster bomber. Immortalised by the famous Dambusters raid, the Lancaster caught our imagination. The film perpetuated the myth and the brave chaps dropping bouncing bombs, behind enemy lines, against the odds, all played to our fertile imaginations. Of course we loved the rakish Spitfire and its never say die Battle of Britain pilots, but there was something of the yeoman about the Lancaster. It was the heaviest bomber ever built and compared to its ugly predecessors it looked stylish and imposing.

Of course, we easily brushed under the carpet the true nature of the Lancaster: its ability to deliver the heaviest payload of bombs due to its long, unobstructed bomb bay, the 12,000 lb blockbuster bombs that could—and would—level entire neighbourhoods.

The perspective of time has left us with a peculiar relationship with the Lancaster bomber. It’s still a much-loved, iconic aeroplane that is closely associated with our pride in our air force and the part it played in shortening the second world war. But to modern tastes, Bomber Command‘s controversial tactics of targeting civilian targets makes us wring our hands and get all squeamish about what happened.

Standing underneath a real Lancaster bomber earlier this week at the RAF Museum was something I’ve never done in my life (a lifelong ambition) and, listening to the guided tour, the true nature of the machine became clear. A proud and noble construction, a design classic, boys own stuff, over 100 sorties each balancing life and death on a knife-edge, delivering death and destruction. It’s easy for me to marvel at the fabric of the plane itself—I know the parts intimately after building countless Airfix model kits, the fiddly gun turrets, the clear plastic canopies that if glue got on them would be milkily opaque and of no use to the gunners. It’s also easy to admire the bravery of the crew, who statistically were more likely to die than an infantryman in the trenches of World War 1.

It was with mixed feelings we left the cavernous bomber hall, housing the death delivering giants. All of them childhood heroes in a way; iconic shapes, familiar, glamorous. A realisation of the true nature of the beasts, but still the childhood adulation, this time tempered with respect and humility.

 

 

Time on my hands

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Last week we visited the wonderful Armley Mills Industrial Museum in Leeds. Don’t worry, I’m not going all Fred Dibnah on your ass but I will be singing the praises of industrial revolution heavy metal, incredible artistry and bygone age.

Armley Mills sits unassumingly on the banks of the Leeds Liverpool canal in a part of the city that has seen better days. Clearly it was once at the heart of the action, but things have moved on and the enormous mill complex still sits proudly, elegantly even; a potent symbol of the birth of the city that now exists: all modern and hoity toity, forgetful of its past.

This proud mill is home to an eclectic collection of industrial revolution evidence. Enormous weaving machines still trundle, doing the job they were designed to do over a century ago, solid printing presses stand frustratingly still, evidencing Leeds’ heritage in this industry. Huge iron beasts sit in their rust waiting patiently for their time to come again. Unknown histories dwell in the machinery, a lifetime away from the hustle and bustle of a city famous for forgetting its heritage as quickly as possible.

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This resting place is home to iron steam giants, locomotives built in the city by firms long gone: engineering ingenuity and brute strength forgotten and unvalued. Wandering around this engaging and lovingly curated assembly, the question at the front of my mind was can this collection of yesteryear tell us anything about the city we live in today? Leeds was at the forefront of invention and ambition and the sheer effort and intelligence required to build and develop this technology surely inspires the inventors and innovators of today. I think there’s no difference between software developers working on a life-changing iPhone app and a steam engineer refining one of his engines. Maybe I’m going off on one, but take a visit and see for yourself.

There’s also currently a lovely temporary exhibition in Armley Mills featuring renowned Leeds Clock maker Potts Clocks. The Leodiensian horologists (now I am going off on one) are famous for providing pretty much all of the public clocks in the city and across the country. Their distinctive  trademark hour hand is easy to spot and there is much satisfaction to be gained spotting these elegant timepieces around Leeds. There is a melancholy but satisfying air to the ticking, whirring machinery, seconds and minutes marked off efficiently, as if they were insignificant, easy to retrieve.

Worth a visit, if you can find the time.

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