The Chiltern Firehouse



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Every year on my birthday we try and do something special and this year to celebrate J booked us a table at London’s newest celebrity hangout, The Chiltern Firehouse. Anybody and everybody who is worth their celebrity salt has been, so why should we be any different?

It’s famously difficult to get a table at but getting a table here for lunch was a cinch compared to Noma and that would be my recommendation, lunch rather than dinner. The restaurant oozes California cool and has that kind of understated elegance that attracts the eclectic moneyed crowd from all over London and I suspect the local Marylebone and Mayfair set use it as their local.

The main room has an expectant, excitable hubbub with everyone is on the lookout for famous folk and on this occasion, the best we could do was Meg Matthews, not quite the dizzy heights of The Ivy Club where I shared a urinal with Liam Neeson.

Attentive staff fuss and flit, focused on getting us served quickly (we were told they needed the table back in 90 minutes when booking, all the pricey/posh restaurants annoyingly do this). Service is sharp but not stuffy and a businesslike sommelier guided us to a medium priced South African Cab Sauv which I figured would be worth the investment (it was my birthday after all). It was chewy and rich with a reassuring deep dimple in the base of the bottle, my not very scientific way of knowing if any wine is good. Julie quaffed nicely oaked but pricey Californian Chardonnay by the glass and we were all set.

After randomly bumping into another guy from Leeds in the toilets (I know), we got down to ordering from the confidently brief menu, which featured restaurant safe bets alongside interesting asides. There is no outrageous risks to be taken here — it’s all safe territory but done very, very well. Portuguese chef Nuno Mendes clearly takes the view that internationally famous folk and the well-heeled like their food recognisable and translatable but with a bit of a twist.

That said the crab donuts were a stunningly original confection, salty, seafoody. sweet and doughy. I wanted to order another plate right after I’d eaten them.

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My steak tartare starter was a classic DIY blokey dish with some much needed hot sauce on the side whilst J’s starter of cured sea trout was the hands down winner in terms of taste.

I think my main of unsettlingly (very, very) pink Iberico roast pork was the winner although served with raw and cooked sprouts, it sounds bizarre but it worked fantastically well. J’s monkfish was a plateful of meaty, fishy tenderness with bright, clean flavours. On the surface, the Firehouse doesn’t look like its expensive but the booze soon escalates the bill into Michelin territory although I would say the food isn’t in the same league as say Murano, but the prices are in the same zone.

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So is it worth the hype? On balance I’d say yes. It’s definitely an ‘event’ restaurant, a place to go when there’s a special anniversary and for mere mortals the price point dictates it’s not an everyday restaurant. Food and service is at the top end of efficient and competent and you can definitely eat better in London for less money. But it’s the overall experience that lingers: the sparkling candlelit patio, outdoor fire, the crackle and buzz of a room filled with people enjoying life.

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Manic Street Preachers

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I first saw the Manic Street Preachers at Leeds’ Town and Country Club on their Holy Bible Tour. It was the last night of the tour and to the collective astonishment of the audience, they smashed all their gear up at the end of the gig.

No encore,largely because all the instruments were in bits but it was a real shock to me — I’d not seen anything like that before. It later transpired that troubled guitarist Richie Edwards went missing after the tour and was never seen again.

Over the years, I’ve seen them at festivals primarily, their star gradually fading as new bands emerged and as such they slipped down the billing. But they always delivered a committed and powerful set from their vast back catalogue.

So when I saw they were to perform their seminal album The Holy Bible, in full, I had to be there for that. In truth The Holy Bible is one of the most uncompromising and inaccessible albums I’ve ever heard. I’ve always found it difficult to listen to it for longer that 15 minutes, never mind from start to finish.

The Manics’ later work is more rounded and radio friendly and over the years I think they have become better songwriters and the odd album aside, have a back catalogue any band would kill for. Last year saw them release the introspective Rewind The Film, a bittersweet meditation on age, followed up by the bold electronica of this years’ Futurology.

Last night was a gig of two halves; first half a bold, successful, crowd-pleasing experiment playing the ultimate Manics album from start to finish, in the running order of the album. The old songs sounded almost fresher than when they were first played, the sound production and mix giving them a taut and defined new lease of life.

The second half was essentially a greatest hits set peppered with gems and new songs. The Manics have never been afraid to play whatever they fancied but they didn’t shirk their responsibility to play the big hits alongside instrumentals and even a cover of Wham’s Last Christmas.

Overall it was a stunning, mesmerising evening of music delivered by a band with a palpable sense of renewed passion.