I finally got around to visiting the 246th Royal Academy Summer Exhibition this week. I’ve always wanted to go, loving the romantic notion that all members are eligible to submit work and if it’s good enough, it will be in the show. Art lovers have long known that it’s the place to pick up a bargain piece of art from an artist on his or her way up the ladder and there are many stories of collectors having done just that.
I love the fact there is world famous artists whose work is for sale well into six figures sitting alongside complete unknowns. Artists like Tracy Emin also have fun with it too, selling limited edition prints at a very attractive price, OK it’s a print, but it’s a signed and numbered print by an internationally renowned artist.
The first thing to note is that the galleries are stunning. A hugely diverse collection of art has been curated carefully into 12 galleries, each gallery curated by a different member of the RA. This is a feat in itself as the eclecticism of the work means themes and dialogue have to be found to help make sense of the exhibition. For the large works by well-known artists this is clearly great fun for the curators but with the smaller pieces, the sheer volume and scale of difference is a virtue in itself.
Unlike a traditional gallery, where pace and them is easily controlled by artist or collection, the Summer Exhibition is an explosion of vibrant colour and thrilling execution, challenging the viewer to try to absorb not just an individual piece but an entire wall of artworks, all talking to each other. Each gallery is paced cleverly and allows respite where needed from the sensory overload.
I think modern art can sometimes feel like a club, excluding people who aren’t in on the gag. But this show feels truly inclusive in a way I’ve never seen before—the sheer democracy of style and subject matter makes it feel like a show for the people, by the people. Of course it’s still in a gallery and it still costs £12 to get in, but once past the hallowed porticoes of the Royal Academy, there is a truly levelling experience to be had.
Do you think art is for the elite or should be made more available for the masses?
Photography is strictly not allowed, so thanks to Benedict Johnson for use of his stunning images.