It’s been steadily growing over the past few years and for one reason or another, I’ve not actually attended. This year, I finally managed to get my ass in gear and get along to the musical takeover of Leeds.
First thing to note is that the venues are spread out. Although Leeds has a very compact city centre, there was only a handful of venues in walking distance of each other with the Brudenell Social Club ( my favourite venue in Leeds), the University and Leeds Met all a short cab ride or long walk away.
I don’t think this was a major issue but it did require careful planning if you wanted to see your favourite bands as logistics were an issue. We decided to stay pretty central with great venues like the cockpit, Leeds Trinity church, Milo and Wardrobe all hosting interesting, if obscure bands.
This approach would pay dividends, leaving our schedule in the flexible hands of the gods. I think at music festivals it is possible to plan too much – my experience is that is a schedule is rigorously followed then the serendipitous discovery of music is missed.
First up was xxx as Trinity church. A lovely venue this, where I’d previously seen BSP deliver a sublime performance, and it definitely produces a reverential atmosphere as one of the oldest churches in the city centre. Ethereal pop tunes wafted across the crowd and we decided that we should move on.
That’s another thing about music festivals: it’s all about the timing and unless the performer is smashing it, it’s always time to move on.
Next up was a random pick at Milo. The X Cat Trio billed themselves as ‘punk skiffle’ and someone said – perhaps it was me – its the yorkshire stray cats. This was enough for me and we crammed into what is probably one of the smallest venues I’ve ever been in. We found ourselves literally toe to toe with the band which was an exciting visceral experience. The trio bounced out rockabilly skiffle tunes for half an hour and it was the most fun I’ve had in a gig for a long time. It reminded me why I love live music and for me set Live at Leeds alight. Wonderful.
A short respite over Cocktails at Maven ( well worth a look if you get the chance) and we headed off to the Cockpit to see teenybopper combo The 1975. We were faced with near riot conditions outside the venue with a one in one out rule in operation, clearly this was a band people wanted to see. With our press wristbands we eventually managed to get in to a rammed cockpit. The 1975 are a perfectly serviceable pop rock band that we’ve seen plenty of times before and this seems to be the 2013 version. We left after a few songs so someone who wanted to see them could get in.
Time was marching on, but a gig goer marches on his stomach so we decamped to the Aagrah for a swift curry and catch up with friends. That’s the other thing to point out about LAL – you have to be the gig going equivalent of speedy Gonzales to get anywhere near seeing a lot of bands. The pace is frenzied and probably aimed at a younger, dedicated crowd.
As we tucked into lamb chops we shared experiences and planned our next gig. We opted for Leeds legend Mickey P Kerr at Milo. I’d first seen MPK at Leeds festival a few years ago on the unsigned stage and loved his eclectic mix of poetry (in the John Cooper Clarke vein), folk, rapping and hip hop. Upstairs at Milo was predictably rammed with folk who knew his stuff inside out and it was a cracking half hour with laugh out loud observations and gat tunes. Must go see him do a full gig next time.
It was getting late now and we were flagging so more cocktails ensued and our gigging ended when we met with fellow Globetroffers for a final drink or two. I wished that we’d seen more bands but the ones we did see were excellent and in their own way a perfect snapshot of Live at Leeds. It got me in the mood for live music in small venues and to that end it was massively successful and it was great to see the city centre thronged with music lovers albeit the worse for wear as the day wore on.
Live at Leeds is a fantastic key component to the cultural life of the city and I’d love to see it grow further. It captures beautifully what Leeds is about from the commercial to the quirky, from the up and coming to the unsigned…we have plenty of corporate music opportunity now the arena has finally landed but LAL provides a vital stepping stone in the musical life of Leeds.